Three-Line Bio
Let’s put it to rest:
the coal miner’s lung infection
of repeating sickle strikes
deep basin echoes dragging
things out far past the point
of all sense,
of all proportion,
of all sensible tut-tut ATM machine
rhetoric into something more
metered by presence of children’s
garden places, by half-swallowed acceptance
of our matted skin after
all.
the coal miner’s lung infection
of repeating sickle strikes
deep basin echoes dragging
things out far past the point
of all sense,
of all proportion,
of all sensible tut-tut ATM machine
rhetoric into something more
metered by presence of children’s
garden places, by half-swallowed acceptance
of our matted skin after
all.
We’re not some social service
office folder, hastily shuttered
with tax lien bills and scrawled
physician’s chicken scratch;
we bloom with atmosphere’s
radiance, empty-handed on
sidewalk dimensions, beer glass
table rings as Olympian in
dedication.
office folder, hastily shuttered
with tax lien bills and scrawled
physician’s chicken scratch;
we bloom with atmosphere’s
radiance, empty-handed on
sidewalk dimensions, beer glass
table rings as Olympian in
dedication.
A goodbye bow in hair,
airy-fairy floating frost
that turns to memoirist’s
summer with treated drug
of missed impossibility.
airy-fairy floating frost
that turns to memoirist’s
summer with treated drug
of missed impossibility.
After Blasting
Caps
It comes across as Irish rain,
the singing saw warble of voice,
knocked-loose vulture sky
circling to say:
the singing saw warble of voice,
knocked-loose vulture sky
circling to say:
“Take me this way,
nothing more.”
nothing more.”
It takes you close to chest,
closer to the rummage of radio days,
looking for dances we did
as cocksure 20-something
strikers:
closer to the rummage of radio days,
looking for dances we did
as cocksure 20-something
strikers:
“You aren’t contemporary,
are you?”
are you?”
In wake of explosions, what
more is here to remark,
what more to clamor for
amongst piecemeal rubble,
played in cinematic string
sectional humming:
more is here to remark,
what more to clamor for
amongst piecemeal rubble,
played in cinematic string
sectional humming:
“It had to be this way,
didn’t it?”
didn’t it?”